This year’s wins at the 2024 BAFTA Television Craft Awards mark the latest recognition from the BAFTA Television Awards for Apple TV+ following a Best Drama Series win in 2023 for globally acclaimed hit “Bad Sisters,” which also landed awards for Best Supporting Actress for series star Anne-Marie Duff, and Best Titles & Graphic Identity for Peter Anderson Studio. The BAFTA Television Awards recognize the best British programs, performances and productions each year. Viewers who enjoy heaps of mythology in their television will have lots to chew on in Silo’s premiere, as every scene is shot through with an undercurrent of something awful that happened before the show started - much like early Game of Thrones, but with a lot less going on.īut I can’t help but think about how much more immediately interesting Silo would be if it started with episode 3, introducing us to a mechanic who reluctantly takes the job of sheriff because she is compelled to believe there is a secret worth finding out, and taking us along with her.Today, Apple was recognized with multiple wins at the 2024 BAFTA Television Craft Awards across its acclaimed, hit programs, “Slow Horses” and “Silo.” Apple’s widely celebrated espionage drama “Slow Horses” landed Best Editing: Fiction and Best Sound: Fiction wins, while global hit, world-building drama series “Silo” nabbed wins in the Best Production Design and Best Original Music categories. They’ve been lovingly adapted in the show’s rich set design, and a cast comprised of remarkably talented actors who play everything deadly serious. Silo has plenty to draw from, as it’s based on a series of books by Hugh Howey. However, Silo also is fond of heaps of exposition its first two-and-a-half episodes are effectively world-building exercises. A procedural in an unusual setting is catnip to me - the familiar rhythms of detective work applied to genre fare is a great way to slowly introduce a novel setting without heaps of exposition, introducing new fantastic elements as a case progresses. Beyond the show’s pivot back towards the silo after spending so much time following characters who’ve been wondering about what’s out there, the first two episodes feel needlessly complex, flitting back and forth between timelines when a linear narrative would be just as compelling.īut after peering into the future via the screeners provided by Apple, I can tell you that the show then becomes something else: A procedural in which Juliette (Rebecca Ferguson), a mechanic-turned-sheriff, has to solve a shocking murder. Some viewers may find this frustrating, like I did. This sets up the expectation that Silo might be interested in what’s actually out there, when really it’s not. Silo’s opening pair of episodes follow Allison (Rashida Jones), a woman who services the silo’s IT, and her husband Holston (David Oyelowo), a sheriff, as they independently come to believe that the outside world may not be the wasteland they’ve been told it is. It’s a death sentence with a chore attached: To clean the camera that serves as the community’s window out to the wasteland, and then to die from the poison in the atmosphere. If you do, they’ll give you the worst punishment they can think of, which is sending you outside. Even pre-apocalypse objects are forbidden (you may find it hard not to laugh when characters regard a Pez dispenser like it’s the Necronomicon) among the gravest crimes one can commit is simply saying that they want to go outside. The outside world, they’re told, is toxic, and to survive in the silo they abide by all sorts of byzantine rules.įor one, no one talks about what happened before the silo. In them, you learn about the community of people who live in a massive underground silo that reaches 144 levels deep into the Earth. The first one is the one you can watch now, with the two episodes currently streaming on Apple TV Plus. This means that there are two versions of Silo. The trouble is, Silo goes about solving it one way, before kind of changing its mind and doing it another way. Get this, though: In Apple TV Plus’ Silo, people live in one.

Entire buildings just for grain or missiles, depending on the local economy? Wild stuff.

I’m a city kid mostly, and silos? They might as well be Stonehenge. Personally, when I hear about a show called Silo, I get real jazzed.

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